Jharrel Jerome on I’m a Virgo, Physical and Emotional Toll of Character

Jharrel Jerome on I’m a Virgo, Physical and Emotional Toll of Character

Jharrel Jerome Discusses Character’s Impact on Virgo Personality and Wellbeing

Jharrel Jerome received an unexpected email from filmmaker Boots Riley with the subject line “13-Foot-Tall Black Man in Oakland,” which sparked his interest and excitement.

Jerome, known for his role in Ava DuVernay’s “When They See Us,” was intrigued by Riley’s fantastical series I’m a Virgo and saw it as a unique opportunity to delve into important social issues.

As an actor, Jerome is selective about his roles, but Riley’s commitment to using practical effects in storytelling impressed him. He hopes that I’m a Virgo will explore themes like capitalism and the experience of young Black men in America.

Despite the uncertainties of a second season renewal, Jerome values the impact and discussions sparked by his role as Cootie in I’m a Virgo.

Jerome discusses his experience playing Cootie and the challenges of the role, from physical demands to emotional depth.

Being an executive producer on the series gave Jerome a deeper understanding of the industry and a collaborative role in shaping the project.

Jerome reflects on the unique challenges of portraying a 13-foot-tall character and the process of getting into the mindset of Cootie as a teenage boy with a unique perspective on the world.

Jerome as Cootie with onscreen friends (from left) Scat (Allius Barnes), Felix (Brett Gray) and Jones (Kara Young).

Jerome discusses the representation of Black characters in the series and the positive portrayal of camaraderie and acceptance within the community of characters.

Reflecting on his personal experiences as a Black man, Jerome relates to the constant surveillance and age perception that can lead to misconceptions and prejudice.

With the potential for award nominations, Jerome reflects on the impact of his work and the importance of recognition within the industry.

This story first appeared in a June standalone issue of The Hollywood Reporter magazine. Click here to subscribe.

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