Carla Gugino discusses ‘The Fall of the House of Usher’ and ‘Girls on the Bus’
When Mike Flanagan initially discussed his newest Netflix project, The Fall of the House of Usher, with Carla Gugino, the details were still vague, inspired by the works of Edgar Allan Poe. Gugino remembers that it was going to revolve around a family with elements of Succession. With a history of collaborating on various horror projects, Gugino trusted that Flanagan would find a fitting theme for the current era. She describes the narrative as a reflection of the Sackler family, highlighting the consequences of refusing to consider one’s impact on the world. Gugino praises Flanagan’s humanitarian approach to the genre, which has always resonated with her.
The series focuses on the downfall of twins Roderick (Bruce Greenwood) and Madeline Usher (Mary McDonnell), the CEO and COO of Fortunato Pharmaceuticals. The storyline incorporates subtle references to Poe’s works, from episode titles to the names of the Usher children, inspired by Poe’s characters. The real tragedy unfolds as the Usher offspring bear the brunt of their parents’ wrongdoing.
Gugino’s character designs a fitting end for the Usher lineage, taking on the role of retribution. Verna, a mysterious figure connected to the Usher family’s past, enacts revenge on the Usher children, fulfilling a haunting prophecy delivered to Roderick in a flashback showcased in the series premiere.
While Gugino doesn’t consider herself a horror enthusiast, she found the opportunity to bring humanity to a typically supernatural genre appealing. She appreciates the dark humor and vibrant characters in Usher, noting the profound exploration of societal issues. Gugino shares that many industry peers who were initially hesitant ended up captivated by the series.
Gugino also stars in the recently canceled political dramedy The Girls on the Bus as journalist Grace Gordon Greene. Despite the different genre, she finds similarities in the series’ exploration of humanity and the bonds between diverse characters facing high stakes. Collaboration and friendship take precedence over ideological differences among the women in the show.
This article was originally published in a June issue of The Hollywood Reporter magazine. Subscribe here.