Night Country Showrunner on Nic Pizzolatto’s Criticisms

Night Country Showrunner on Nic Pizzolatto’s Criticisms

Showrunner of Night Country Responds to Criticisms from Nic Pizzolatto

Issa López, a horror auteur from Mexico City, was chosen by HBO to create the fourth season of its True Detective series. The resulting show, True Detective: Night Country, was written and directed by López and starred Jodie Foster and Kali Reis. The story revolves around Alaskan law enforcement investigating a group of scientists found encased in a giant block of ice. The season received 12 Emmy nominations, despite criticism from series creator Nic Pizzolatto. López spoke with THR about the show’s success and impact.

How do you feel about the success of the show?

López expressed her surreal feelings as a Mexican immigrant achieving international success with her first English-language project. She believes this accomplishment could inspire other Mexican and Latin American female directors in the industry.

Who has been a significant influence on your work?

López credits Guillermo del Toro for his support and inspiration in her career, including a recommendation for the Emmy-nominated team behind the creation of the show’s iconic “corpsicle.”

What impact do you think the show will have on fans and the industry?

López shared her disappointment in HBO’s decision to destroy the corpsicle prop, as she believed it could have been a unique piece for fans. Despite this, she finds solace in the fact that its on-screen presence will endure.

How did you navigate the expectations of the show’s established fan base?

López acknowledged the divisive nature of the season, with some fans embracing its new direction while others criticized it. She addressed the backlash from Nic Pizzolatto, emphasizing the importance of evolving the series beyond its original vision.

Can you give us a hint about season five?

López teased that season five will be even darker and twisted than before, promising an exciting new chapter for the series.

This story first appeared in an August stand-alone issue of The Hollywood Reporter magazine. To receive the magazine, click here to subscribe.

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